ISSUE 7 – 2024

November 15, 2024

paul mescal, gladiator II, hollywood authentic, greg williams

When I first started Hollywood Authentic one of my more cynical friends questioned how Hollywood could possibly be authentic? Especially since it dealt for the most part in fiction. The more I connect with artists who are open, genuine, unapologetically flawed and vulnerable, the more apparent it becomes to me how wrong that friend was. 

Cartier, Gladiator II, Greg Williams, Gucci, Hamnet, Paul Mescal
Paul Mescal by Greg Williams

Take our cover subject, Paul Mescal, who opened up about mental health and self doubt while showing me his horse skills he learned for Gladiator II. Or Naomi Ackie, who creates deliberately ‘ugly paintings’ as a form of therapy against her constant need to strive for perfection. Both remind me of the lyric Ben Mendelsohn once quoted to me from Leonard Cohen’s song Anthem; ‘Forget your perfect offering; There is a crack, a crack in everything – That’s how the light gets in.’ I’m proud that Hollywood Authentic continues to show the cracks – and the light – through honest conversations with artists.

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greg williams signature

GREG WILLIAMS
Founder, Hollywood Authentic

hollywood authentic, greg williams, hollywood authentic magazine

TRENDING

Imogen Poots, Nia DaCosta, Nina Hoss, Tessa Thompson, Tom Bateman

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Nia DaCosta puts a new spin on Ibsen’s classic Hedda Gabler by shifting the action from 19th-century Oslo to a sprawling country pile in 1950s England

Henry Melling, Alexander Skarsgard, Lesley Sharpe, Douglas Hodge, Harry Leighton

PILLION

Based on Adam Mars-Jones’ novella, Box Hill, Harry Lighton’s Pillion might be about a BDSM relationship between a shy young man and biker

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Photographs, interview and video by GREG WILLIAMSAs told to JANE CROWTHER I’ve arrived in Watkins Glen in upstate New York at dawn on a July weekend. It may look like a sleepy rural town but the main drag used to echo with the revs of car engines from 1948 to 1952, as sports cars raced through

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Photographs by SAM SHAW Words by GISELE SCHMIDT & GARY OLDMAN The love of Sam Shaw’s photographs begins with Gary’s admiration for the films of John Cassavetes, the grandfather of independent American cinéma vérité. Gary is a self-described Cassavetes junkie. Having had little exposure to Cassavetes’ work prior to the start of our relationship, Gary immediately